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Series:
Intolerance
TIANANMEN
SQUARE
The
individual is devoured by the harsh, ruthless forces of history. The individual
is mutilated, is distorted, iis crushed. Yet, the individual is fragile,
is wounded. Yet the individual is a source of inspiration.
For Polish artist Joanna
Salska, the individual is an entity at once caught in the inescapable tension
between being submerged, crushed, annihilated in the web of history, and
movement of defiance against that very entrapment. In her studiies about
the tragedy of Tiananmen Square, the artist carries these unresolvable dualities
to the ultimate test: the firing line. The lone figure faces with his small
defenseless body, the progression of armored tanks. The youth is thrown
from the bicycle, crushed on the trampled ground. The students raise the
flag of defiance; yet each of them remains an individual who must confront
the terrifying vulnerability of the self and the overwhelming forces of
history, at the moment when that tension is most explosive and most lethal.
This series brings us to the edge of our individual role: we must not be
passive participants only, but be active witnesses to history--like Picasso's
"Guernica" and Goya's "Disasters of War" the paintings
are witnesses, they speak to our subjective world so that we may see how
we are interlocked in our shared, common reality.
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JOANNA
SALSKA
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